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An illustration created in one-point perspective that looks down the hall of a movie theater. The left walls are lined with movie posters from the films, "Shang-Chi and the Legend of the Ten Rings," "The French Dispatch," and "The Green Knight." The right wall is lined with posters for the films "No Time to Die," Snake Eyes," and "Last Night in Soho." At the end of the hall are a set of illuminated doors, alluding to an awaiting screen.

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Renegotiating with the Big Screen: Cinema in the...

December 18, 2021

When people go to the cinema, they crave an immersive experience that cannot be...

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Alum Report: Javier Carmona

May 18, 2019

Alumnus Javier Carmona (BFA 1994) talks photography, acting, SAIC, and how to...

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The Art of Healing at Youth Empowerment Performance...

November 26, 2018

How a Chicago nonprofit works with LGBTQ youth to build community through art.

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Limmie Pulliam: Missouri’s New ‘Otello’

August 2, 2017

Giuseppe Verdi's opera has a long history of problematic casting choices, but...

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Who’s Afraid of Letting Theater Evolve?

June 12, 2017

The Edward Albee estate pulled the rights of a Portland production of "Who's...

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‘Understand Us the Way We Need to Be...

February 10, 2017

About Face Theatre takes an importantly different approach when it comes to...

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White Critic in the White City

November 13, 2016

Reflecting on the problematic homogeneity of contemporary theatre criticism in...

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‘Hamilton’: Your Revisionist, Problematic Fave

October 19, 2016

Lin-Manuel Miranda's run away hit musical is now showing in Chicago and seems...

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Every October Needs a ‘Dog Night’

October 4, 2016

"Dog Night" was an experience of immersive, spooky theater that had everything...

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Reading a Text for the Stage on the...

October 2, 2016

Beloved boy wizard Harry Potter is making his return to the zeitgeist for the...

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Nothing Ado About Honest Theatre

August 2, 2016

Chicago's Honest Theatre company is committed to socially-minded plays,...

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Victimization, Identity and LGBTQ Rights in “Teddy Ferrara”

March 4, 2013

A great deal of what moved the play forward rather than the political, and...

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