F Newsmagazine - The School of the Art Institute of Chicago - Art, Culture, and Politics
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theater

Moving Pictures: You Can’t Spell ‘Barbarian’ Without Airbnb

Quick-and-to-the-point thriller demands a group viewing.

In ‘Triangle of Sadness,’ Power Is A Real Bad Trip

You’ll laugh. You’ll cry. Maybe you’ll projectile vomit. But you’ll definitely have a good time.

Renegotiating with the Big Screen: Cinema in the Post-COVID Era

When people go to the cinema, they crave an immersive experience that cannot be replicated at home. Included in this package is the theater’s...

Alum Report: Javier Carmona

Alumnus Javier Carmona (BFA 1994) talks photography, acting, SAIC, and how to measure time.

The Art of Healing at Youth Empowerment Performance Project

How a Chicago nonprofit works with LGBTQ youth to build community through art.

Limmie Pulliam: Missouri’s New ‘Otello’

Giuseppe Verdi's opera has a long history of problematic casting choices, but Springfield Regional Opera gets "Otello" right.

Who’s Afraid of Letting Theater Evolve?

The Edward Albee estate pulled the rights of a Portland production of "Who's Afraid of Virginia Woolf" because a director cast an African-American actor.

‘Understand Us the Way We Need to Be Understood’

About Face Theatre takes an importantly different approach when it comes to trans inclusion and representation in theater.

White Critic in the White City

Reflecting on the problematic homogeneity of contemporary theatre criticism in Chicago.

‘Hamilton’: Your Revisionist, Problematic Fave

Lin-Manuel Miranda's run away hit musical is now showing in Chicago and seems untouchable, but has undeniable flaws.

Every October Needs a ‘Dog Night’

"Dog Night" was an experience of immersive, spooky theater that had everything — including dog masks.

Reading a Text for the Stage on the Page: ‘Harry Potter and the Cursed Child’

Beloved boy wizard Harry Potter is making his return to the zeitgeist for the first time in nearly a decade but this time, he's returning onstage rather than on the page. Does it make a difference?

Nothing Ado About Honest Theatre

Chicago's Honest Theatre company is committed to socially-minded plays, especially by making their admission pay-what-you-can.

Victimization, Identity and LGBTQ Rights in “Teddy Ferrara”

A great deal of what moved the play forward rather than the political, and social issues was a more conventional portrait of personal desire and heartbreak, which was merely set against a backdrop of LGBTQ rights issues.