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Moving Pictures: You Can’t Spell ‘Barbarian’ Without Airbnb

October 9, 2022

Quick-and-to-the-point thriller demands a group viewing.

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In ‘Triangle of Sadness,’ Power Is A Real...

October 6, 2022

You’ll laugh. You’ll cry. Maybe you’ll projectile vomit. But you’ll...

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Renegotiating with the Big Screen: Cinema in the...

December 18, 2021

When people go to the cinema, they crave an immersive experience that cannot be...

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Alum Report: Javier Carmona

May 18, 2019

Alumnus Javier Carmona (BFA 1994) talks photography, acting, SAIC, and how to...

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The Art of Healing at Youth Empowerment Performance...

November 26, 2018

How a Chicago nonprofit works with LGBTQ youth to build community through art.

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Limmie Pulliam: Missouri’s New ‘Otello’

August 2, 2017

Giuseppe Verdi's opera has a long history of problematic casting choices, but...

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Who’s Afraid of Letting Theater Evolve?

June 12, 2017

The Edward Albee estate pulled the rights of a Portland production of "Who's...

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‘Understand Us the Way We Need to Be...

February 10, 2017

About Face Theatre takes an importantly different approach when it comes to...

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White Critic in the White City

November 13, 2016

Reflecting on the problematic homogeneity of contemporary theatre criticism in...

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‘Hamilton’: Your Revisionist, Problematic Fave

October 19, 2016

Lin-Manuel Miranda's run away hit musical is now showing in Chicago and seems...

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Every October Needs a ‘Dog Night’

October 4, 2016

"Dog Night" was an experience of immersive, spooky theater that had everything...

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Reading a Text for the Stage on the...

October 2, 2016

Beloved boy wizard Harry Potter is making his return to the zeitgeist for the...

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