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Making Memories at the Color Factory

July 5, 2022

At Color Factory, immersive installations meet Chicago sensibilities.

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Monet or Moneygrab?

October 30, 2021

Art critic Yunyao Que considers the new immersive Monet experience.

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Eternal Labors

February 11, 2020

A conversation with the organizers of the Re:Working Labor exhibition.

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“Arising,” But Not Rising Far

September 13, 2019

Last month, F Newsmagazine published a review by Jill DeGroot of the recreated...

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Muffled Flame: A Review of Yoko Ono’s “Arising”

August 7, 2019

Dubious staging distracts from otherwise powerful content at the Joan Flasch.

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Lan Tuazon’s Future Fossils

January 25, 2019

SAIC Professor Lan Tuazon strikingly depicts the footprint of consumerism.

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Open Studios at SAIC

November 19, 2018

The School of the Art Institute of Chicago's open studios event allows viewers...

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Beautiful / Temporal: Installing a ‘Book’ in Guizhou,...

December 8, 2017

Creating an installation piece in China's Ginghouz province provided a manifold...

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The Cultural Complexities of a Symbol Raise Questions...

March 29, 2017

An installation piece in the SAIC BFA Show piqued controversy when the artist,...

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Homan Square: The Corner of Corrupt Cops, Occupy...

November 13, 2016

SAIC's new initiative in Homan Square provides free art classes, and raises...

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Traces of Dirty Energy at MOCP

August 10, 2016

The Museum of Contemporary Photography's exhibition, “PetCoke: Tracing Dirty...

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Rituals of Dislocation and Leonard Suryajaya’s “Don’t Hold...

March 15, 2016

Leonard Suryajaya’s “Don’t Hold on to Your Bones” is challenging but...

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