Chicago Cultural Center

Painter Robert Colescott at the Chicago Cultural Center.

Comic art continues to struggle to find a home at SAIC.

Lumpen Magazine celebrates thirty years with a party, auction, and fundraiser at the Chicago Cultural Center.

This week’s news stories from SAIC, Chicago, the nation, and the world.

Does a biennial about decolonization and climate crisis cancel itself out if it's funded by BP?

The 2019 Chicago Architecture Biennial fails where it embraces the digital instead of the spatial.

Artist and educator Jefferson Pinder discusses his newest project, “This Is Not A Drill.”

Four shows to see in Chicago

Nina Chanel Abney's solo exhibition "Royal Flush" at the Chicago Cultural Center.

Alison Ruttan’s recent exhibit in all three of the Michigan Galleries at the Chicago Cultural Center asks us to take a look at ourselves as humans. Are aggression and violence genetically ingrained into our human-ness? What does our ability to wage war say about us as humans?

Design professionals discuss ethnicities in the industry surrounding the recent show at the Chicago Cultural Center, CHGO DSGN.

Monika Neuland, the current Artist-in-Residence at the Chicago Cultural Center's Garland Gallery, constructed an ambitious social space within which the public may directly engage with the artist and her artwork and even try their hand at the loom or other modes of weaving available in the gallery.

Speculative Design shies away from design for mass consumption, which relies on generalizing about groups of people to create one profitable solution. Charlesworth explained her past jobs in design consulting and service design as something she found “ethically difficult.”

The SAIC alumna recounts fashion memories and what's next.

Jan Tichy brings the Chicago Cultural Center to light in the exhibition aroundcenter