“In our performance we dared, without the Patriarch’s blessing,
to unite the visual imagery of Orthodox culture and that of protest culture,
thus suggesting to smart people that Orthodox culture belongs not only
to the Russian Orthodox Church, the Patriarch and Putin, that it could
also ally itself with civic rebellion and the spirit of protest in Russia.”
- Yekaterina Samutsevich, closing statements of Pussy Riot trial
‘The Great Refusal: Taking on New Queer Aesthetics.’
A division was created between more acceptable forms of homosexuality (i.e., devoted, monogamous, upstanding gay couples) and everyone else (i.e., S&M, body modification, trans, etc.). Opie represented these individuals in a way that valued their differences against the pressure to integrate into a more “palatable” version of homosexuality. “The Great Refusal” is thematically aligned with Opie’s desire for a multitude of perspectives on how queerness can and should be represented.
Graphic novelist Chris Ware is a former SAIC student and F Newsmagazine contributor who has since earned international acclaim for his dense, poignant narratives. His painstakingly precise style was most recently showcased in his ample, ephemera-filled compilation “Building Stories.” Last month the soft-spoken Ware led eager fans on a journey through his art schooling and career in a lecture at SAIC’s Columbus Auditorium. In response to the lecture, F Newsmagazine followed up with Ware for an interview, where the artist provided refreshingly candid insight about his process, Chicago and his confidence (or lack thereof)
Andi Zeisler Reminds us why Criticism of Pop Culture is Indispensable.
Even as mass culture offers these neatly packaged answers to gender inequality by way of naïve books, Zeisler did assert that by speaking the common language of popular culture it is possible to get into more theoretical conversations about feminism and gender politics. As a tonic to the vapid non-fiction books, recent movies, TV shows and novels have offered more nuanced, but by no means all-encompassing, portrayals of women that cultural critics have flocked to analyze.
There is no easy answer or solution to the problems of gentrification. But, it is important for us to be aware of our responsibility in it and to question the “social responsibility” pat on the back we may be giving ourselves.