Tag:
installation
Arts & Culture
Making Memories at the Color Factory
At Color Factory, immersive installations meet Chicago sensibilities.
Arts & Culture
Monet or Moneygrab?
Art critic Yunyao Que considers the new immersive Monet experience.
Arts & Culture
Eternal Labors
A conversation with the organizers of the Re:Working Labor exhibition.
Arts & Culture
“Arising,” But Not Rising Far
Last month, F Newsmagazine published a review by Jill DeGroot of the recreated installation of Yoko Ono’s 2013/2016 multi-media work “Arising” in the Joan...
SAIC
Muffled Flame: A Review of Yoko Ono’s “Arising”
Dubious staging distracts from otherwise powerful content at the Joan Flasch.
SAIC
Lan Tuazon’s Future Fossils
SAIC Professor Lan Tuazon strikingly depicts the footprint of consumerism.
SAIC
Open Studios at SAIC
The School of the Art Institute of Chicago's open studios event allows viewers get to know artists in their homes away from home.
F+
Beautiful / Temporal: Installing a ‘Book’ in Guizhou, China
Creating an installation piece in China's Ginghouz province provided a manifold lessons for artist Ningzhi Wang.
SAIC
The Cultural Complexities of a Symbol Raise Questions About Equal Treatment on Campus
An installation piece in the SAIC BFA Show piqued controversy when the artist, Jae Hwan Lim, replaced a Buddhist swastika with an open letter.
News
Homan Square: The Corner of Corrupt Cops, Occupy Protesters, and … SAIC?
SAIC's new initiative in Homan Square provides free art classes, and raises questions about the school's role in gentrification.
Arts & Culture
Traces of Dirty Energy at MOCP
The Museum of Contemporary Photography's exhibition, “PetCoke: Tracing Dirty Energy,” raises awareness about the biohazardous substance living closer to home than many of us think.
Arts & Culture
Rituals of Dislocation and Leonard Suryajaya’s “Don’t Hold on to Your Bones”
Leonard Suryajaya’s “Don’t Hold on to Your Bones” is challenging but deeply worthwhile.
Arts & Culture
Alison Ruttan: Where is the Humanity?
Alison Ruttan’s recent exhibit in all three of the Michigan Galleries at the Chicago Cultural Center asks us to take a look at ourselves as humans. Are aggression and violence genetically ingrained into our human-ness? What does our ability to wage war say about us as humans?