installation

At Color Factory, immersive installations meet Chicago sensibilities.

Art critic Yunyao Que considers the new immersive Monet experience.

A conversation with the organizers of the Re:Working Labor exhibition.

Last month, F Newsmagazine published a review by Jill DeGroot of the recreated installation of Yoko Ono’s 2013/2016 multi-media work “Arising” in the Joan...

Dubious staging distracts from otherwise powerful content at the Joan Flasch.

SAIC Professor Lan Tuazon strikingly depicts the footprint of consumerism.

The School of the Art Institute of Chicago's open studios event allows viewers get to know artists in their homes away from home.

Creating an installation piece in China's Ginghouz province provided a manifold lessons for artist Ningzhi Wang.

An installation piece in the SAIC BFA Show piqued controversy when the artist, Jae Hwan Lim, replaced a Buddhist swastika with an open letter.

SAIC's new initiative in Homan Square provides free art classes, and raises questions about the school's role in gentrification.

The Museum of Contemporary Photography's exhibition, “PetCoke: Tracing Dirty Energy,” raises awareness about the biohazardous substance living closer to home than many of us think.

Leonard Suryajaya’s “Don’t Hold on to Your Bones” is challenging but deeply worthwhile.

Alison Ruttan’s recent exhibit in all three of the Michigan Galleries at the Chicago Cultural Center asks us to take a look at ourselves as humans. Are aggression and violence genetically ingrained into our human-ness? What does our ability to wage war say about us as humans?

Kurt Hentschläger's Immersive Installations.