F Newsmagazine - The School of the Art Institute of Chicago - Art, Culture, and Politics
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2022 films

Chuffed for CUFF

Six films to look out for at the 30th Annual Chicago Underground Film Festival

Moving Pictures: ‘How To Blow Up A Pipeline’ Is The Salve For Your Climate Anxiety

When is the last time you googled 'how to blow up a pipeline?'

Moving Pictures: Guillermo del Toro’s Puppet Kills Fascists

Out of the three "Pinocchio" adaptions of 2022, it's clear why del Toro's reigns supreme.

Moving Pictures: “The Stranger” in a Strange Land (Australia)

What makes a crime story truly great? And where do the lines and lies of detective and criminal blur?

Moving Pictures: “Matilda the Musical” and Growing Up

A musical that proves "even if you're little, you can do a lot! You mustn't let a little thing like little stop you."

Moving Pictures: “Empire of Light,” Not Too Bright

Cinema for people who love going to the cinema.

Moving Pictures: Pandora Lives in “Avatar: The Way of Water”

12 years after the first movie, "Avatar: The Water of Water" is showing audiences what actions movies dream of being.

Moving Pictures: Living With “The Fabelmans”

Steven Spielberg is turning the camera inward to investigate his childhood and the power of the moving image.

Moving Pictures: “Bones and All,” Minus The Heart

You're going to need a strong stomach for the gruesome love story of "Bones and All."

Moving Pictures: “The Inspection” Misses The Target

Is there really much more to learn from American military success stories featured in film?

How Strange is Disney’s ‘Strange World?’

Maybe it's time Disney leave the animated movies to Pixar.

Moving Pictures: Looking Through The ‘Glass Onion: A Knives Out Mystery’

A sharp sequel to "Knives Out" (2019) and an even sharper murder mystery the the midst of the COVID-19 pandemic.

Netflix’s Best Worst Christmas Films

A new Christmas tradition brought to you by Netflix.

The Highs and Lows of ‘Wendell & Wild’

With many animation and stop-motion fans hyping up Henry Selick and Jordan Peele's latest film, let's take a look at how well the story holds up.