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To have a conversation about gay and lesbian film is to talk about the representation of gays and lesbians in...
Instead of a table with a bowl of fruit, we find the sneer of a wrestler.
While studying in Prague for six weeks, SAIC students Ryan McMurran and Shira Soskel took more than 500 photos. The...
Schjeldahl’s background is perhaps as unconventional as his approach to art criticism.
While there exists a global appreciation for Haitian art, there is also, for Haitian artists, an ongoing struggle to establish...
Jasper Johns' extensive body of work, while not overtly political, has been interpreted as quietly so.
Perjovschi always references the current political events of the country he is showing in, allowing his viewers to directly relate...
So there was George, and I was all kinds of excited having nailed my George costume. The director of the...
Illustration by Alexandra Westrich
Tamed alternative papers join mainstream media's hunger for profit
What you have in your hands is part of...
George Lucas is giving an informal lecture and question-and-answer session on November 5 at the Rubloff Auditorium, Art Institute of...
Acrylic visual clutter flows across Mortenson's canvas like salmon ramming into each other as they stream the wrong way to...
Free food always tastes better, but $1.50 for a fruit salad? $5.75 for a pound of fresh salad? Yeesh.
This fall, SAIC’s Betty Rymer gallery is doing all this in literal and figurative ways for fluXspace, a series of...
The implicit and explicit rules, regulations and mores of the art institution—be it a school or a gallery—are always present....
Mourning, that typically private emotional act, will go public in Pujol's performance Memorial Gestures: Mourning and Yearning in the Rotunda...
