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Perjovschi always references the current political events of the country he is showing in, allowing his viewers to directly relate...
So there was George, and I was all kinds of excited having nailed my George costume. The director of the...
Illustration by Alexandra Westrich
Tamed alternative papers join mainstream media's hunger for profit
What you have in your hands is part of...
George Lucas is giving an informal lecture and question-and-answer session on November 5 at the Rubloff Auditorium, Art Institute of...
Acrylic visual clutter flows across Mortenson's canvas like salmon ramming into each other as they stream the wrong way to...
Free food always tastes better, but $1.50 for a fruit salad? $5.75 for a pound of fresh salad? Yeesh.
This fall, SAIC’s Betty Rymer gallery is doing all this in literal and figurative ways for fluXspace, a series of...
The implicit and explicit rules, regulations and mores of the art institution—be it a school or a gallery—are always present....
Mourning, that typically private emotional act, will go public in Pujol's performance Memorial Gestures: Mourning and Yearning in the Rotunda...
"The work we show attempts to negotiate a dialogue between artists and audience, about social issues, in ways that other...
What, exactly, makes something a self-portrait, and why are we so drawn to them?
Her travel experience and her love of eclectic music might help explain why she often refers to her written work...
We have all been there: staring at a blank page, checking email, rechecking email, doing 'research' on myspace.
I had a friend in town from central Florida when the show opened, so naturally, wanting to strut my city's...
