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Luma’s World: Crowd Confusion

By Comics

Transcript:

Panel 1: Luma, a pink haired college student, stands surrounding by a looming crowd of purple silhouettes. Her back is to the reader. Luma says, “It felt like everyone was starting at me today.”

Panel 2: Close up, showing the left half of Luma’s face. She rants, “And I couldn’t figure out why. So I ran through everything that People usually find weird: My dyed hair, the way I walk, maybe even the art school thing, or the pronoun pin on my backpack? I don’t know. Everyone just kept looking at me.

Panel 3: Luma stands talking to and looking down at her friend who is a small black bird. The bird says, “Luma, there is gum in your hair.” And indeed, there is gum in Luma’s hair. Luma says, “…That explains it.”

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Smile! Your Friends Are Here

By Entertainment, Featured

“Smiling Friends” (2020-)

In the midst of the Warner Bros. animation purging crisis, “Smiling Friends” has now become a mega-hit.

Starting in August of 2022 Warner Bros., via their streaming platform Max (formerly HBO Max), deleted a number of films and series, turning them into “lost media,” so they could be written off as a loss on the company’s taxes. The media erasure was met with a number of complaints from both fans of the content and the content’s creators. One of the largest complaints was that the practice unfairly targeted animated series on the platform.

Fast forward to January 10, 2024, and Warner Bros. released the first episode of the animated series “Smiling Friends” via their subsidiary production company called Adult Swim. From the get go, “Smiling Friends” became an internet sensation. With numerous memes spawning from the first season alone (including three separate clipped audios trending on Tiktok), “Smiling Friends” exceeded the expected audience for a first major project from two relatively unknown animators.

But relatively unknown isn’t exactly unknown, especially in the case of “Smiling Friends.” The creators of the show, ​​Michael Cusack and Zach Hadel, are YouTube animators who managed to create a made-for-TV animated show. Alongside some other new shows, like “Hazbin Hotel,” “Smiling Friends” is one of the first animated shows to have creators that made from YouTube to television.

Hadel and Cusack’s YouTube backstory shapes the humor of “Smiling Friends.” To put it simply, the show appeals to those with a chronically online sense of humor, mainly Gen Z and younger Millennials. “Smiling Friends” is one of the first, if not the first, adult animated show to appeal to Gen Z.

Additionally, the series contains near-constant references to different online creators and phenomena, including  having online creators cameo in the show as different characters. These jokes reinforce the tone of the show without alienating audiences unaware of the meme or reference.

Tying into the online culture of the show to promote the release of the second season, all of the first season’s episodes were completely redone with puppets instead of 2D animation. The puppet edition of season one was released for free on YouTube by Adult Swim, and it allowed more fans to enjoy season one without having to pay to watch the first season.

Alongside the official puppet edition was the unofficial release of the “Smiling Friends” commentary by Hadel and Cusack from the season one DVD on YouTube. The commentary has been ripped from the DVD by a  number of different YouTube channels and remains on the platform, but this was predicted by the creators of the show in the first fifteen seconds of the commentary:

“Thank you for buying this [DVD] or watching it on YouTube for free,” said Michela Cusack, the co-creator of the show, as an introduction to the commentary track.

The show’s initial success wasn’t just lighting in a bottle. The show’s second season, which was released between May 12, 2024, and June 23, 2024, has been just as much of a hit. The Google traffic for the show reached its highest point as the new season of the show spawned multiple memes, further expanding its online community, and clogging every social media’s trending tab with its continued presence.

With the release of the second season, “Smiling Friends” has become one of the top recommended shows on Max, maintaining its position in the top three shows on the platform’s “Top 10 Series Today” spotlight for the entire eight weeks that season two was being released.

In a twist of irony, an animated series has become one of the most popular shows on a streaming platform now infamous for purging animation. It is safe to say that even if “Smiling Friends” was deleted and forcibly made into lost media, it would not be forgotten.

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Zeitgeist in Germany

By Arts & Culture, Featured, Multimedia, Photo Essay

Students and guests gather outside the Institut für Alles Mögliche on opening night of the “art and other objects” exhibition, eating pizza and commemorating the end of the study trip. Photo by Mya Nicole Jones.

Zeitgeist is the spirit of a particular period of time reflected in its ideas and beliefs including but not limited to arts and culture. This summer students embarked on a journey through Germany via SAIC’s Study Abroad program “Zeitgeist: Germany.” Throughout the trip, students were given an academic and culturally rich opportunity to grow in their creative practices.

Alongside professors Oliver Sann and Beate Geissler, students spent two weeks experiencing the zeitgeist of Germany visiting Münich, Loheland, Kronach, Weimar, and Berlin. Students received credit for the trip by planning and showing their own exhibition in gallery space provided by Institut für Alles Mögliche. Students presented multimedia work created over the course of the trip and titled the show “and other objects.”

“and other objects” exhibition poster designed by students and composited by typewriter and photoshop by Tina Tang.

Sann shared his thoughts on the trip with F Newsmagazine: “ ‘The Flying Classroom’ is about what happened to a group of students at a boarding school. The narrative is magical, thrilling – I always had distinct ideas about the classroom that could fly. Learning about people, architecture, countries, landscapes and histories by witnessing them became a tenet of my ideas and imaginations about what experiential pedagogy can be. With the SAIC study trip we traveled this year not only in space but also time – [The] epitome of our trip was the [student] artist-curated exhibition entitled ‘and other objects.’ It was exciting to see what different routes people took and how vastly different impulse and feedback was, which was processed by the artists in this show.”

Students gather around Chris Ahman as he discusses how the study trip impacted his untitled collection of photos. Photo provided by Institut für Alles Mögliche.

Julieta Beltran on the floor of the Institut für Alles Mögliche gallery completing her water color works titled “Comuna.” Photo by Adrienne Weiss.

Students gathering around “Gorlitzer Park” by Tom White (on the floor) as he shares the story that took place in Berlin inspiring the piece. Photo by Mya Nicole Jones.

Many students left Europe with new friends and a wider perspective on arts, culture, and education. Some students continued their momentum and continued to travel independently or with other members of the group. 

New found friends Rin Caswell (BFA Print and Fibers 2025) and River Hill (BFA New Media 2026) shared their experience of meeting and collaborating on their “and other objects” installation.

Caswell: “I’m happy with what I made. I’m happy that I had the chance to collaborate with someone who I didn’t know at the beginning of the trip—It just feels really amazing to cultivate something from nothing. And then by the end of the trip, have something that feels so cohesive and so collaborative, which is something I’ve never felt before with my art—it’s amazing to take my art past me.” 

Hill: “It [the trip] forced me to think outside of my own practice, as well as being in an incredibly new area. I had to approach it [the piece] from an outside angle. My good friend Rin and I ended up collaborating in a way, in a sense, both collaborating together and also keeping the pieces separate. I felt like it was important to memorialize this [trip] in a physical manifestation. That was a documentation of every location, every place that we’ve been. This trip, I was able to create that in a very successful way that is true to my work.”

Collaborative installation, in front, found object sculpture “impermanence 1” by River Hill, on the wall, found object and relief print “impermanence 2” by Rin Caswell. Photo by Mya Nicole Jones.

Adrienne Weiss (MFA Fibers 2025), who spent her time reflecting on heritage, health, and history through her weaving, also expressed, “I feel like the history of this country got me to connect with my roots, with my ancestors, and with healing.”

“At the end of each day when the ants emerge from their subterranean home, we paint our feet with honey so the blood doesn’t drain from our bodies into the soil” by Adrienne Weiss. Found branches, mix dyed cotton, wool, and novelty yarn. Photo provided by Institut für Alles Mögliche

 This is one of many summer study trips offered by SAIC. This summer SAIC brought students to Germany, Italy, and Arizona in the United States. There are multitudes of experiences to be shared with the SAIC Study Abroad program as new destinations and programs come to the course every year. Where can a look at global zeitgeist take you?

Group photo of study trip students at Castle Kronach. Photo by Beate Geissler.

Group photo of study trip students in Münich having dinner. Photo by Beate Geissler.

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Him?

By Comics

Transcript:

Panel 1: Kitty, an orange tabby cat woman wearing a sparkly red dress, is applying
mascara through the mirror. She begins to talk to herself, “Come on Kitty, today’s your
big day!”
Panel 2: Kitty looks over to see her tail wag flirtatiously. “I have to look good for… Him,”
she says.
Panel 3: Kitty’s phone shows her dream man’s tinder profile. The man, who appears to
be a type of fish, has prominent cheekbones, a buttchin, and plump lips that curl into a
smirk. It reads, “Doug, 25. 69 miles away. 6’9. I work out. Looking for hot beach babe.
Likes: Swimming and Cacti. Dislikes: Oranges and shirts.” Two dialog bubbles point to
the phone, one reads, “the ‘him’ in question.” The other reads, “love at first text?”
Panel 4: Kitty addresses her cactus on her way out the door, “wish me luck Mr.
Wiggles!”
Panel 5: A narration box sets the scene, “bar, later that night.” Kitty sits at the bar. To
her right is the bartender and an empty chair, and to her left is another customer.
Panel 6: Kitty sits there with her eyes closed smiling. A hand reaches out and taps
Kitty’s arm twice.
Panel 7: “Uhh Kitty, dat chu?” The voice comes from a man who resembles a catfish.
He is short, fat, and shirtless.
Panel 8: “Doug?” Kitty asks with a look of disgust clearly visible on her face. “Yep, dat’s
me!” Doug replies.

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Hot Dog Creature’s Origin

By Comics

Transcript:

This six-panel comic starts with a panel that has a baby hotdog creature crying after being born by appearing in a bright yellow hotdog cart. The second panel shows the hotdog creature as a child flying a kite in a bright blue field. The third panel shows the hotdog creature as a teen rotting in his bed with black and grey checkered sheets surrounded by garbage. The fourth panel shows the hotdog creature as a young adult at a house party holding a red solo cup in front of a red brick wall. The fifth panel shows the hotdog creature smoking a cigarette in the road in front of the bright yellow hotdog cart he was born in at nighttime. The sixth panel shows the hotdog creature at his funeral dead in a coffin being covered in mold with an out-of-panel character saying “I heard the mold got him.”

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Suffering Alone

By Comics

Transcript:

Panel One: The narrator with only both arms and hands visible is holding a book open with both hands, with the left page of the book saying “The Body Keeps the Score, Mind, Brain, and Body in the Transformation of Trauma, Bessel van der Kolk.” The narrative is written in first person on the point of view of the person reading the book, the narrator. They start talking about their thoughts about the book saying, “I recently started reading this book…”

Panel Two: Panels two and three are joint together in the form of a book. Panel two represents the first page on the left and panel three shows page two on the right. The page is titled “Trauma” and the text below it says “Research by the Centers for Disease Control and Prevention has shown that…” The lower portion of the panel is decorated with 6 different flower sticking out from the lower page border.

Panel Three: This panel continues the sentence that began on panel two. Panel three reports statistics about sexual assault and domestic violence incidents to showcase how common they are among the US. These information also reveal how sexual violence is a common source of trauma. The panel has a border filled in black to emphasize the severity of the statistics.

The statistics are taken from the book. It says:

“1 in 5 Americans was sexually molested as a child;

1 in 4 was beaten by a parent to the point of a mark being left on their body;

1 in 3 couples engage in physical violence.

1 out of 8 witnessed their mother being beaten or hit.”

Panel Four: Reveals the face and the upper body of the narrator turned towards the viewer. They are situated alongside five other people whose backs are only visible, and a younger-looking individual who is looking towards the viewer. When combined, these people highlight how common these incidents are among people, through showing a variety of individuals with their own unique styles. The main subject says: “I guess there are many of us.” This is shown in a speech bubble on the upper right corner of the panel.

The narrator: A person with short dark hair wearing glasses, facing the viewer.

Person 1: A person with a flower sticking out of their head

Person 2: A person wearing cat ears

Person 3: A person wearing a light-colored hat

Person 4: A person with short curly hair

Person 5: A person with a messy bun on the upper right of their head

Person 6: A younger-looking person with high ponytails, facing the viewer.

Panel Five: The narrator is placed at the center of the panel. Their face is not visible, showing that reaching out is universal, and is something many people struggle with. They are wearing a gray shirt. They reflect on the idea of how hard it is to reach out and to get help because of the stigma by saying: “It really does take a lot of courage to reach out. I guess I’ll just stick to my self-help books for now,” feeling defeated.Panel Six: The subject is represented through a traced, black-filled dead body on the ground. They say “Still, suffering alone exhausts me a lot.” Even though the narrator thinks that they are content with healing only through reading their self-help books, they are still exhausted by themselves.

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Crawling for Yarn Across Chicago

By Arts & Culture, Entertainment, Featured

Calling all Chicagoland crafters! This week, July 20 to 28, 2024, is the annual Chicago Yarn Crawl. Grab your knitting needles and crochet hooks and join this journey around the city.

A yarn crawl is sort of like a bar crawl but with yarn instead of booze. Instead of going to several bars in one night, you see how many participating yarn shops you can hit throughout the week. Crawls like this, sometimes called shop hops, are fairly common in the crafting community. Participating shops around the city and in the suburbs each have an exclusive free pattern and a 10% off deal on yarn. They also have raffles and free buttons. In addition to the in-store events, many of the stores have their free Chicago Yarn Crawl pattern up on their websites.

The Chicago Yarn Crawl has been active since 2009 and hosts a yearly crawl every summer. Many crafters have favorite shops they go to regularly but are unaware of the other cool shops in the city. Eight shops in the city are part of the crawl, with an additional 10 shops out in the suburbs. The crawl is a good excuse to explore craft stores in Chicago you might not otherwise go to.

“I think this is one of the best yarn crawls in the country,” said the owner of Firefly Fiber Arts Studio, Sarah Jamison, whose shop has been participating in Chicago Yarn Crawl for the last seven years. She further explained she believes this because of the discounts, swag, free patterns, and number of shops that participate every year.

You can register for the crawl on their website and download and print out a “passport” for the week. Every shop you go to will stamp your passport, so you can log which shops you’ve hit. But if you skip registration and printing out the passport, don’t worry. You can still go to the shops and enjoy all the freebies and discounts. But registering makes you more eligible for raffles.

On the first day of the crawl, F Newsmagazine and School of the Art Institute alumni, Teddie Bernard, and I loaded up his car with an itinerary for the day, snacks, tote bags for yarn-carrying, and a camera to snap pictures of each shop we went to.

In total, we visited five of the participating shops: Bolly’s Hobbies, The Bloomin’ Spindle, Firefly Fibers, Nina Chicago, and Yarnify!. The prices and stock of each store vary, but each one has its benefits and drawbacks. Overall, all five of the stores we went to were worth the trip, especially with the 10% discount and free patterns.

Bolly’s Hobbies, 5503 W Belmont Ave

Our first shop of the day, Bolly’s Hobbies was a great way to start out the crawl as it is the shop’s very first yarn crawl. They’re a smaller but well-stocked shop that opened recently and has some great bargains.

Bolly’s Hobbies was one of the quieter shops we visited, but it also contained some of the best prices all day. They’re a hidden gem! Their yarns range from $2.50 to around $50, with a large portion of their yarns ranging in the under $20 range.

Having only opened in December 2023, I wouldn’t be surprised if Bolly’s Hobby becomes a fan-favorite Chicagoland yarn store within the next few years, especially for us crafters on a budget who want alternatives to big box craft stores.

Don’t let the size of the shop fool you, there’s so much here to enjoy. The walls of the shop have a large variety of yarn colors, textures, and weights, including some hand-dyed and imported yarns.

“I hope this allows us to be a more successful shop and keep going through the next years,” said store manager, Anise Breault who is proudly a knitter, spinner, and weaver outside of working at Bolly’s.

Bolly’s Hobbies had a free crochet pattern and a free knitting pattern. Both were for cutesy throw pillow covers. They also have a table of free snacks and drinks!

Additionally, their free buttons were easily the biggest and best of the day, including ones featuring shiny gold cats playing with balls of yarn. And once you’ve checked out, you can say hello to the fish swimming in a tank towards the back of the store. All in all, Bolly’s Hobbies is not a shop to miss on your crawl.

The Bloomin’ Spindle, 5359 W. Irving Park Road

Less than 10 blocks away from Bolly’s, The Bloomin’ Spindle is a great shop to hit next, and their bright green exterior makes them easy to spot. Like Bolly’s, the Bloomin’ Spindle opened recently — April 13, 2023 — which makes these two neighboring shops some of the newest yarn stores in Chicago.

The Bloomin’ Spindle was hopping when we arrived.

Most of the yarns there are hand-dyed and cost around $30-$35. Some yarns were as cheap as $8, and the priciest  I spotted were $40 skeins. Their hand-dyed yarn is \this store’s biggest draw, as they have a huge selection of different colors and dye artists. So if that’s the type of yarn you’re seeking, put Bloomin’ on your list to go to.

The Bloomin’ Spindle has an entire wall of yarns dyed by their artist-in-residence Gnome Depot Fiber.

The Bloomin’ Spindle wins, hands down, for the cutest free pattern out of the five shops we saw.  Their pattern was a knitted shawl with a special stitch that imitates the appearance of a cicada. In addition to the pattern, there was also an exclusive Gnome Deport Fiber yarn themed around cicadas to make the shall with.

Beyond the special cicada pattern for Chicago Yarn Crawl, the store also has a basket of free crochet and knitting patterns for customers. This seems to be a regular part of the store, and not just for the crawl

Upon checking out, don’t miss out on looking at all the adorable stickers they have near the cash register. There’s even a sticker of a crocheted cicada!

Firefly Fiber Arts Studio, 2860 N. Milwaukee Ave

Firefly Fiber Arts Studio from the get-go with its neon signs and big glass windows comes off as a cool, artsy space instead of the more standard craft store look.

For art school students, Firefly Fiber Arts Studio might be the coolest shop on the list. Located right next to The Insect Asylum on the edge of Logan Square and Avondale, Firefly is a place welcoming of the more alternative crafting community.

Open since 2017, Firefly has cultivated a strong aesthetic of bright colors and sustainable fibers.  As their website explains, Firefly makes a conscious choice to, only sell “socially and environmentally responsible yarns and wools.”

Firefly’s yarn prices range from around $6 to as high as $60. There was a small selection of yarns on sale for $2. They also often feature trunk shows in their store. In addition to yarn, they also sell some roving wool and small weaving kits.

Make sure to spot this group of crocheted dolls and toys Firefly has on display. Doesn’t this look like an average friend group you’d see having lunch at one of the SAIC cafes?

The people who work at Firefly Fiber Arts Studio are incredibly nice, and they genuinely seem interested in chatting with you about your interests, current projects, and the different yarns hanging on the walls.

“The yarn crawl sees around 1,300 to 1,500 [participants]. But my shop, I probably see between 300 to 500 hundred people depending on the year,” said Jamison.

They have free Chicago Yarn Crawl patterns for knitting, crochet, and Tunisian crochet. These patterns were small triangular banners that seem like a really good beginning pattern for each of the crafts. Of the five stores we visited, this was the only shop we saw with a free Tunisian crochet pattern.

Here Firefly is displaying the official tote bag and project bag for the 2024 Yarn Crawl. These bags are available to purchase at each of the participating stores.  Firefly also has an exclusive, limited-edition skein just for the crawl.

If you’re looking for a place with cool vibes and eye-catching sustainable fibers, Firefly is a good place to visit. But you might not find the perfect yarn for you if you’re someone who tends to lean into more muted shades.

Nina Chicago, 1256 W Chicago Ave

Nina Chicago has a yarn-bombed bicycle sitting outside their shop, making it an excellent landmark to spot the store from down the block.

Having opened its doors in 2004, Nina Chicago has stood the test of time, even pre-dating the Chicago Yarn Crawl. With its longer history, it is no wonder Nina Chicago is an elevated, upscale storefront. Though welcoming of younger crafters, the store does seem to have a slightly older clientele than some of the others on this list. But don’t let that scare you off because Nina Chicago has a lot to offer.

Nina Chicago is a large store that, though mostly filled with yarn, also carries wool roving, cross stitch and embroidery kits, sashiko kits, stitching patterns, and an assortment of fabric.

The pricing for the yarn is higher than some of the other stores. Their lower-end yarns are around $8 to $12 dollars and their high-end yarns go for as much as $70. But there is also a lot of yarn within the $20 to $30 dollar range. These higher prices for the yarn make the yarn crawl a good time to check out Nina thanks to that 10% discount on yarn.

Most of the fabric was around $15 a yard, but they also cut quarter and half yards.

Nina Chicago’s patterns are beautiful. They have many displays of knitted and crocheted clothing that you can purchase the patterns for or if you buy the yarn for the pattern, you get the pattern for free

Their free patterns for Chicago Yarn Crawl are equally as gorgeous. They offer two free patterns: a knitted shawl and a crocheted shawl.

Nina Chicago is a store I would recommend if you have people visiting you from out of town who are crafters or if you’re someone who shops at local craft stores and does a lot of different types of crafts.

Yarnify! 633 S. Plymouth Ct.

If you’re having trouble finding Yarnify!, look for their sign that is a play off the Chicago flag.

Yarnify! is a crowd-pleaser, and, even after visiting four others in one day, my personal favorite yarn shop in Chicago. Located in the South Loop, Yarnify! is an incredibly convenient store to get to from the SAIC campus.

Being one of the larger yarn stores, they have a huge variety of all kinds of yarn. The owners of Yarnify! have mentioned in passing that they prioritize stocking yarns that are pleasant to touch, including less-scratchy wools and wool blends.

The prices at Yarnify! vary a great deal. It’s easy to spend a lot of money here, but it’s just as easy to find good deals and less expensive yarns. The cheapest yarn I could find here was about $3 and the most expensive I saw was $50. The back aisle has a lot of $10 to 20 dollar yarns, and the front of the store has the more expensive hand-dyed yarns.

Their free patterns for Chicago Yarn Crawl are a crocheted capelet and knitted cowl.

But the reason Yarnify! comes out on top is because of the people who work there. The Yarnify! team are some of the friendliest crafters you’ll meet, and they are an incredible resource to go to when you need help or advice for a project you’re working on. Whether you’re a complete beginner or very experienced, the folks at Yarnify! have your back.

Adding to the positivity and support, Yarnify! is also a very LGBTQ+ friendly store. They have pride merchandise all year round, and one of the free buttons they are giving out for Yarn Crawl is their sheep mascot colored in with a rainbow, as a nod to the pride flag.

These are only a small portion of the shops participating in Chicago Yarn Crawl. There are many, many more. See how many yarn stores you can crawl to this year!

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Processing Loss

By Comics

Transcript:

Panel One: Panel one depicts a sky at dark night-time with white clouds and stars. The top portion of the panel reads “Sometimes I look up at the stars and wonder…” starts revealing the narrator’s thoughts about letting go. The unfinished sentence continues on panel two.

Panel Two: The panel depicts a figure holding a red helium balloon flying up into the sky. The text, “… Why does letting go have to be this hard” is situated on the lower right. Floating in air depicts how mentally lost the person currently feels, elevated from and lost ties with the ground.

Panel Three: Panel three depicts a window of a house with the narrator and their cat looking outside. Their silhouettes are used. Bright light comes out. The narrator talks to the cat named Cammron, “Cammron, do you think I will always be so emotional? Processing grief is just so hard.” The cat responds with “Meow Meow.

Panel Four: Panel four continues with the narrator talking to themselves: “Are you still here, I’m just so tired of not being able to see you.” The background depicts dark blue clouds and the figure is drawn as a silhouette. The caption box below the panel reads “Knowing the person is living calms me,” the sentence continues on the next panel.

Panel Five: The panel shows a perspective plan drawing of the narrator’s room, emphasizing the emptiness and loneliness present without the person they are searching for. The caption box reads “but at the end of the day, they are not here and this kills me.”

Panel Six: Panel six pictures an empty hallway with two apartment doors and a common space at the end of the corridor. The walls and ceiling are painted in black and dark blue. The caption box reads “The hallways are so empty without you.”

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Thrift Culture

By Comics, Featured, Featured Comics

Transcript:

This comic has a very loose structure as opposed to panels. The text is contained in speech bubble boxes.

The first box is above a panel of a cutely dressed person with pigtails and bows, browsing a rack of clothes. The box reads “Thrifting is a sustainable way to buy and sell clothes along with other items.”

Next is a bubble to the right of the panel, which reads “With the advent of fast fashion and their mass production of clothes that end up in landfills, thrifting promotes recycling and reusing of clothes and other materials.”

This leads to a third box of text under the panel, which reads “Thrifting reduces carbon emissions, which is critical to stopping climate change.”

The bottom left of the page has illustrations of jewelry, two chalices, a vase, two other indecipherable items, and a wallet. The first text box above this clump of illustrations reads “Anything can be thrifted from clothes to furniture to little trinkets and decorations.”

The last box on this page is to the right of the illustrations and reads “While being good for the environment, it is also good for your wallet!”

The second page has a clump of illustrations in the top right. There are tomatoes, bananas, butter, eggs, milk, and paper towels, as well as a bill for college tuition, a grocery receipt, and a notice that rent is increasing.

The first text box is to the top left, and it reads “With prices on the rise in the housing and apartment industry, schools and college tuition getting more expensive every year, plus living expenses getting worse…”

The next box is to the lower right of the illustrations, reading “thrifting allows relief to a lot of people.”

The third bubble is to the left of another panel, this one showing a different cutely dressed person, also with a bow in her hair. They are standing in front of a rack of clothing, and staring at another one. The text bubble reads “Thrifting endorses the ability to curate your own sense of self and serves as a creative outlet that can exhibit your unique views.”

The next text box is directly below this, and reads “You can also purchase high quality and brand name goods at a more affordable price.”

The final text box takes up the bottom of the page and is more embellished than the rest of the boxes. It reads “Thrifting is good for the environment and it can be a fun, affordable activity to do with friends and family. It is also a good outlet for the stress that come from daily life!”

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Therapy Parrot 2

By Comics

Transcript:

Panel 1: Therapy Parrot and his patient are in his office. The patient says “I’ve been super stressed at work recently, I’ve just been so overwhelmed and I feel like I don’t know what I’m doing.”

Panel 2: Therapy Parrot says “Going to a therapist is very scary for me. I feel super vulnerable like I’m exposing myself.

Panel 3: The patient says “Did you just repeat something from another patient? Don’t you have doctor-patient confidentiality? “

Panel 4: Therapy Parrot says “I’ve been super stressed at work recently, I’ve just been so overwhelmed and I feel like I don’t know what I’m doing.”

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You and Everyone

By Comics

Transcript:

Panel 1: Text reads: “You” Image of singular pink silhouette

Panel 2: Text reads: “And everyone.” The image has zoomed out, showing the pink silhouette amongst many others, which are grayscale.

Panel 3: Text reads: “And everyone else.” The image once again zooms out, the figure getting progressively smaller amongst the others.

Panel 4: Text reads: “And everyone everyone else.” The image zooms out revealing more figures.

Panel 5: Text reads: “And” Again, the image zooms out.

Panel 6: The image zooms even further out. There are hundreds of figures – All small. The pink one is center.

Panel 7: The image continues zooming out. Everything becomes harder to see in a sea of people.

Panel 8: The image continues zooming out. They are all just tiny specks.

Panel 9: Text reads: “And you.” The pink figure is nearly unseeable and the sea of people are just little specks.

 

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Sand Circles

By Comics, Featured, Featured Comics

Panel 1: In the top left of the comic, there’s a small panel depicting two people on a beach, one has their back to us, and the other is facing to the left and wearing a bright green one-piece swimsuit. She has a dialogue bubble, and is saying “like this!’ Panel 2: A pair of legs is shown from the mid-thigh down. The right foot is slightly raised. Panel 3: Same as panel two, but there are motion lines and the right foot has moved behind the left leg. Panel 4: This panel expands to the top half of the page. The beach scene from panel one is much bigger now, and we can tell the person with their back to us has a beard. The person who is moving their legs also has their arms awkwardly in the air, as if using them to balance, or perhaps not quite knowing what to do with them. Her legs are in the same position as panel 3, but further apart. Text at the bottom of the panel reads “PAUSE” in all caps. They are saying “err” as an aside, without a speech bubble. Panel 5: The bottom half of the dancing person is shown. Their leg right leg, the moving one, is drawn many times in different positions, moving around the stationary left leg. Panel 6: Now we have an aerial view of the dancer, top-down, as she points to the drawn circle her foot is moving in. She is saying in a bubble “in French, it’s called a Rond De Jambe*” The asterisk at the bottom panel reveals Rond De Jambe translates to to “Circle of the Leg”. Panel 7: The dancer is face to face with the bearded person, and they say in a bubble “The first one is always perfectly round, but everyone after is usually a bit funky…” The bearded person responds: “funky is good!” Panel 8: The dancer and the other person have now joined both hands and the dancer, in all caps, says “true.”

Transcript:

Panel 1: In the top left of the comic, there’s a small panel depicting two people on a beach, one has their back to us, and the other is facing to the left and wearing a bright green one-piece swimsuit. She has a dialogue bubble, and is saying “like this!’

Panel 2: A pair of legs is shown from the mid-thigh down. The right foot is slightly raised.

Panel 3: Same as panel two, but there are motion lines and the right foot has moved behind the left leg.

Panel 4: This panel expands to the top half of the page. The beach scene from panel one is much bigger now, and we can tell the person with their back to us has a beard. The person who is moving their legs also has their arms awkwardly in the air, as if using them to balance, or perhaps not quite knowing what to do with them. Her legs are in the same position as panel 3, but further apart. Text at the bottom of the panel reads “PAUSE” in all caps. They are saying “err” as an aside, without a speech bubble.

Panel 5: The bottom half of the dancing person is shown. Their leg right leg, the moving one, is drawn many times in different positions, moving around the stationary left leg.

Panel 6: Now we have an aerial view of the dancer, top-down, as she points to the drawn circle her foot is moving in. She is saying in a bubble “in French, it’s called a Rond De Jambe*” The asterisk at the bottom panel reveals Rond De Jambe translates to to “Circle of the Leg”.

Panel 7: The dancer is face to face with the bearded person, and they say in a bubble “The first one is always perfectly round, but everyone after is usually a bit funky…” The bearded person responds: “funky is good!”

Panel 8: The dancer and the other person have now joined both hands and the dancer, in all caps, says “true.”

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