“My goal," asserts curator and SAIC alumna Joanne Hinkle, "was to show how diverse, varied, and rich the landscape of feminist art is today, and I think LADYLIKE accomplishes that.”
Coupling Henry Darger’s drawings with a mix of works by eleven contemporary art up-and-comers, the American Folk Art Museum in New York presents a fascinating exhibition about mythmaking, war and the presumptive innocence of childhood.
Coupling Henry Darger’s drawings with a mix of works by eleven contemporary art up-and-comers, the American Folk Art Museum in New York presents a fascinating exhibition about mythmaking, war and the presumptive innocence of childhood.
In The Happening, Shyamalan’s not afraid to use a little camp and a lot of dead people to critique the American public, the media, and to raise the question: If the environment could fight back, how would it?
Throughout his brief yet prolific career, Finnish-American architect Eero Saarinen (1910-1961) reimagined the college campus, the corporate office park, mobile homes, and furniture.
“What if instead demanding that ‘other’ art be admitted into the halls of modernism, we were to ask different kinds of conceptual questions about Art History’s epistemology?”
Goat Island quits! Hear excerpts from their screening and roundtable discussion as well as an F Exclusive interview with Mark Jeffrey, performing member.
Goat Island quits! Hear excerpts from their screening and roundtable discussion as well as an F Exclusive interview with Mark Jeffrey, performing member.
Ultra-Red, a sound art collective concerned about the HIV crisis, performs Untitled (for large ensemble). FNews covers the Chicago event in the slideshow "What did you hear?"
The exhibit at The Renaissance Society, courtesy of curator Hamza Walker and the 26 artists he has brought together for the new show Black Is, Black Ain’t deals with issues of race and blackness.
The exhibit at The Renaissance Society, courtesy of curator Hamza Walker and the 26 artists he has brought together for the new show Black Is, Black Ain’t deals with issues of race and blackness.