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Reflecting on Polaroid’s a520, a Fiend and a...

October 16, 2022

Did you know that Polaroid makes digital point & shoot cameras? Because I...

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Let’s Smash Pumpkins!

October 15, 2022

Harvest season can be hard for a pumpkin-person in Alex Sensiba's comic "Let's...

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All That Glitters is Not Gold: Reviewing ‘Brahmastra’

October 13, 2022

"Brahmastra" is a tedious watch that plays with the feelings and brains of its...

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Moving Pictures: ‘Avatar,’ Again

October 11, 2022

"Avatar?" From 2009? Hear film critic Myle Yan Tay out.

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The Artistic Underground of NFTs

October 10, 2022

And no, we aren't talking about bored apes.

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Riot Fest Still Sucks, and Thank F*cking God

October 7, 2022

Riot Fest 2022 had hits (as in songs) and hits (in the mosh-pit).

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Virgil Abloh Through the Eyes of His Colleagues:...

October 6, 2022

Reflecting on the enduring legacy of the iconic Chicago multi-hyphenate Virgil...

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Moving Pictures: ‘The Woman King’ and Fighting History

October 6, 2022

"The Woman King" grapples with history without sacrificing thrills or style.

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Investigating Chicago’s Tornado Siren — “That is What...

October 5, 2022

A deep-dive on the Windy City's infamous tornado siren.

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Photo Essay: ‘Respect our voice, respect our choice!’...

September 30, 2022

Part-time faculty organized in front of the Art Institute Sept. 21 demanding a...

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Today, the ‘F’ Stands for Freshmen

September 30, 2022

The in-person 2022 Freshmen Orientation, through the eyes of someone who didn't...

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The Song Remains the Same: David Hockney’s ‘Arrival...

September 30, 2022

Like you and I, David Hockney also enjoys playing on his tablet.

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