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Moving Pictures: High Altitude Cruising

June 11, 2022

Myle Yan Tay reviews "Top Gun: Maverick." Go for Tom Cruise, stay for Tom...

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A Love Letter to “The Forbidden Love EP”

June 6, 2022

Possible romantic Teddie Bernard on the pliability of Death Cab for Cutie's...

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CIX: The Perfect Post-Pandemic K-Pop Package

May 30, 2022

Live music is an irreplicable experience in itself. When an artist is...

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Moving Pictures: Men, Can’t Live With ‘Em, Can’t...

May 27, 2022

As it turns out, "Men" isn't for everyone.

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Auteur Theory: The Enduring Imminence of “Children of...

May 17, 2022

Alfonso Cuarón's dystopian masterpiece confronts us not with where we could...

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“Quaternity”: A Chess-like Community For Just About Everyone

May 16, 2022

Not quite chess and not quite a conventional video game, "Quaternity" may evade...

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Charli XCX’s “CRASH”: Selling Out, or Breaking Free?

May 13, 2022

Charli XCX opens her clawed hands to listeners on "CRASH," inviting them into a...

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Auteur Theory: Where Have All The Uncomfortable Movies...

May 12, 2022

Why did films, arthouse and blockbuster alike, stop making its audiences...

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Moving Pictures: Doctor Strange in the Multiverse of...

May 12, 2022

The unstoppable force of auteur Sam Raimi meets the immovable object of Kevin...

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The Sky Talks: Eclipses and Taurus Season

May 11, 2022

This Taurus season, the universe asks us, "What do I need to let go of for my...

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A Love Letter to One Direction

May 11, 2022

Priyanka Kumar reflects on what made One Direction beautiful to millions of...

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Maybe The Real “Elden Ring” Was The Friends...

May 10, 2022

Through the fire and the flames of FromSoft's newest release, friendship and...

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