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CIFF 2022 | ‘Aftersun’ is a Heartbreakingly Novel...

October 27, 2022

Charlotte Wells’ debut film establishes her as a director experienced far...

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Moving Pictures: ‘Werewolf by Night,’ a Monochrome...

October 26, 2022

Has anyone ever wondered what would happen if Marvel made a werewolf movie?

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CIFF Review Round-Up: ‘A Human Position,’ ‘Leonor Will...

October 19, 2022

Families take center stage with our first round-up from the 2022 Chicago...

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Moving Pictures: Bold, Boisterous ‘Bros’

October 18, 2022

If there's one thing Billy Eichner never is, it's quiet.

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Loving the Monster: Over the Garden Wall

October 17, 2022

Sidne K. Gard recalls how Over the Garden Wall continues to be a classic each...

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CIFF 2022 | ‘Raymond & Ray’ Review: Heartbreak...

October 16, 2022

Ethan Hawke and Sophie Okonedo shine alongside Ewan McGregor in Rodrigo...

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All That Glitters is Not Gold: Reviewing ‘Brahmastra’

October 13, 2022

"Brahmastra" is a tedious watch that plays with the feelings and brains of its...

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Moving Pictures: ‘Avatar,’ Again

October 11, 2022

"Avatar?" From 2009? Hear film critic Myle Yan Tay out.

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Moving Pictures: You Can’t Spell ‘Barbarian’ Without Airbnb

October 9, 2022

Quick-and-to-the-point thriller demands a group viewing.

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CIFF 2022 | ‘A Compassionate Spy’ Confronts The...

October 8, 2022

Chicago documentarian Steve James’s new film is no John le Carré novel. 

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Riot Fest Still Sucks, and Thank F*cking God

October 7, 2022

Riot Fest 2022 had hits (as in songs) and hits (in the mosh-pit).

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In ‘Triangle of Sadness,’ Power Is A Real...

October 6, 2022

You’ll laugh. You’ll cry. Maybe you’ll projectile vomit. But you’ll...

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