language of fruit: you pick the fruit from my body i grow for myself and eat them as you watch
me starve and i let you pluck the pomegranate seeds from my eyes i grow for myself and eat
them as you watch me starve and i let you hoard the gooey mangos from my belly i grow for
myself and eat them as you watch me starve i let you snatch the sweetest lemons from my thigh i
grow for myself and eat them as you watch me starve i let you i let you rip and eat the taut
tangerines from my back as you watch me starve from my hair you yank the freshly ripe grapes i
grow for myself and eat them as you watch me starve the persimmons i grow for myself wrench
from my hips eat them as you watch me starve because i let you i let you eat the softest lichi i
grow for myself you jerk out of my lungs as you watch me starve i let you watch me starve as you
cut the mouth-watering papaya from my breasts i grow for myself and eat them watch me starve
as you twist the juicy dripping guava from my lips i grow for myself and eat them i let you watch
me as i chant
it’s strange to find gods in currency of flesh it’s strange to find gods in prayer it’s strange to
find gods in man-ufactured tissue it’s strange to find gods in eyelashes of the dead it’s strange
in seatbelts in the blood trees gorge on in the small of your back the root glint of your eye
the blue of it grays in your hair green stop signs mismatched desires red bellies of bricks the
soft creases of brown paper bags in my hands on myself the flexing rivers of thighs magenta
cavities of bruises breasts of love on the sagging shoulders of strangers in dirt underneath
fabricated fingernails the demand of ashy skin on the ground inversions of what may be
maybe
the border [orange] blues goes something like this: the blues birds must sing who can not fly but
still have wings left behind as their brothers sisters mothers fathers take flight cousins
carrying an echo of sound through undulating waters of lights you croon a melancholy melody:
i know things won’t be the same i know things won’t be the same because you get to escape
the flames a line scratched out by the talons of eagles as they take take take take eat
grin claws in their mouth shining pearly lines of constant confessions lies by omission creating
scorched burial grounds a mirroring a minor chord picking at the keys strings to help your back
bend forward curve forehead to toes anjaan anjaan azadi anjaan pardesi lost following
these strings exotic no heartbroken in search perpetually arbitrary a manila envelope that she
carries to the desk when her name is called confused for a moment because they call her by her
new last name inside: originals only of all documentation: both sides of her alien registration
card a screeching green: me
me who is. she who says i follow you restless, hunting imagined red plush of empty chairs
hard cold arms leaky boundaries that begin in the black cast of the white screen
a sigh
the sixth act when the offstage dead return for their final bows
memories that may have loved me once a love
a love like no other in your face i see-k deathly full lips and silky hair how i thirst for
thee dark listening to dark beauty listening to beauty as i kneel there
wondering fearing doubting deep into that darkness peering but for only a
moment more i promise dreaming—no daring to dream dreams in thy
darkness i sit so darkness i become
Featuring lines from carl sandberg’s poem “moonset poem” and Edgar Allen Poe’s poem “the raven”