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‘Star Wars’ is (Finally) for Girls

January 9, 2016

How I learned to lose my art school snobbery and embrace the Force.

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The Trash We Inherit: Dorothy Allison’s Classic Short...

September 28, 2015

Dorothy Allison's recent short story collection is an American classic.

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Great Anticipations

March 27, 2015

Electromyography in a performance piece

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Moscow’s Underground

February 3, 2014

Hamid Ismailov talks to F Newsmagazine about the brief life of an "Olympian."

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The Virtues of Grayscale

January 28, 2014

A Return to Form in Alexander Payne’s Nebraska.

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Paabus’ Own Panopticon at The Sub-Mission

December 13, 2013

Kristina Paabus' "box for each of us" at The Sub-mission comments on our...

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Projecting Misery

November 25, 2013

Manifestations of Pain in Gravity and 12 Years a Slave: While the two films...

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A Shared Universe

July 31, 2013

Artists in “Portraits” at the Roman Susan Gallery Created a Cohesive...

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In the Aftermath of War, a Void

March 29, 2013

Review of ‘Destroy the Picture: Painting the Void, 1949-62’ at the...

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Alienated Viewership: “Schizo Panel” at threewalls

March 4, 2013

My complicit relationship was threatened from the start, beginning with the...

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Art Review: Fractal Semblance at Roots and Culture

February 3, 2013

Binaries and doubles reveal their rupture and illusions disclose their...

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Death of a Businessman

September 9, 2012

A review of Dave Eggers' new novel "A Hologram for the King"

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