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Moving Pictures: “The Inspection” Misses The Target

December 19, 2022

Is there really much more to learn from American military success stories...

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How Strange is Disney’s ‘Strange World?’

December 7, 2022

Maybe it's time Disney leave the animated movies to Pixar.

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Moving Pictures: Looking Through The ‘Glass Onion: A...

December 5, 2022

A sharp sequel to "Knives Out" (2019) and an even sharper murder mystery the...

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Moving Pictures: ‘Black Adam’ and the Hierarchy of...

December 5, 2022

What makes a superhero movie a "good" movie? Is being enjoyable simply good...

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Moving Pictures: “The Menu” Serves

December 4, 2022

Is "The Menu" a tasteful movie or simply a tasty meal?

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CIFF 2022 | ‘Pacifiction’ Review: A Lynchian Lucid...

November 23, 2022

Catalan auteur Albert Serra returns with another intricately-crafted...

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Dreams of Black and Blue: Ian Mwesiga at...

October 19, 2022

Dance, basketball, and dreams in Ian Mwesiga's solo debut.

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The Song Remains the Same: David Hockney’s ‘Arrival...

September 30, 2022

Like you and I, David Hockney also enjoys playing on his tablet.

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Through The Fence: A Review of “Knotted Lines”

March 10, 2021

Engaging with Maya Nguyen's complex, interactive piece at SITE Galleries.

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When We Share Our Emotions, Who’s Watching?

October 24, 2020

Zoe Beloff's exhibition explores our facial expressions, tech, and...

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How Stardew Valley Gave Me the Perfect, Impossible...

April 16, 2020

Video games offer the ideal fantasy life, but they can't replace the real

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The Irishman: Where Have All The Wiseguys Gone?

February 25, 2020

Adherence to formula overshadows the Irishman's few innovations.

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