Assume the existence of burning, eternal love. The Hypocrites’
production of Camille/La Traviata never questions this kind
of love’s existence. It jumps headstrong into the consequences
of its arrival.
Should we as artists be up in arms and brushes attempting to alter
the social suffocation that is modern American politics? As a lazy alternative
for young consumerists everywhere, I offer you six satisfying soundtracks
to accompany what we do best: being excessively hedonistic, apathetic
and indifferent.
Eli Ungar reviews The Dreamers, the provocative story of a
young American student studying in Paris in 1968, who meets a set of
twins at a demonstration at the Cinémathéque Française.
Charles Loie says: “Take anything you know about coming-of-age
dramas, splice that with well-traveled gangster formulas, add a heaping
load of social commentary and visual spectacle, and you are only getting
close to what City of God has to offer.”
