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Carol Becker has been the Dean of Faculty of the School of the Art Institute of Chicago for over 25 years, and has written several books, including, appropriately, The Invisible Drama: Women and the Anxiety of Change. Becker wrote candidly about her rise to Dean in her essay, Trial by Fire: a Tale of Gender and Leadership, and recounted the challenges she faced in an academic institution.

interview by Natalie Edwards

Q. How do you think you changed the character and vision of SAIC during your years here?
   
A. I have been at the School for such a long time that I really have to think back almost thirty years to what the School was like when I first began teaching here and also when I first began to hold administrative positions. From the very first I had the idea that the School was a fantastically creative and energized environment for the making of art. What I felt was missing was an intensive intellectual environment that could match this creative spirit with a whole other world of ideas. I wanted to see the School become as much about thinking as about making, as much about the conceptualization of art's place in society as about the process of making. I never saw these as exclusive and always believed the School could be strong on all counts. I now really believe it is. So, a good deal of what I have been able to do is help to create so many new degrees and bring in so many new faculty that the School is now a truly balanced environment in which all parts of art making and the complexity of the art world are reflected. When I first came there were only a few degrees, now there are myriad degrees in subjects like Visual and Critical Studies, Writing, Arts Administration, Historic Preservation, as well as all the new initiatives in Architecture and Design. There are dual degrees in Arts Administration and Art History--all reflecting the changing times, the ways in which people go out into the world and actually assume position. There were always wonderfully innovative faculty but the more we hired new faculty, the more they took the School farther along the path to a truly diverse curriculum that has a strong artistic and intellectual foundation. So, if there is a legacy here, it in being able to imagine an art school as complex and exciting as the one we have, and in hiring great people to make it happen and to keep it moving forward.
 
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