An Interview with Abigail Satinsky of InCUBATE on Democracy in America: the National Campaign.
F Newsmagazine sits down with Kevin Coval, hip-hop poet, SAIC instructor and author of the new book Everyday People.
Everyone needs advice about love and cats and stuff. Especially you.
Joshua Mosely makes movies to wrap your brain around.
Marc LeBlanc talks about curatorial work, language and participation in art.
The Art Institute director talks to F Newsmagazine about his humble beginnings, the politics of fundraising, and “this great big wonderful world called the history of art.”
SAIC’s new President shares his thoughts on the city, the school and his new responsibilities.
F Newsmagazine interviews faculty Wafaa Bilal as he prepares to leave SAIC for NYU this fall.
“My goal,” asserts curator and SAIC alumna Joanne Hinkle, “was to show how diverse, varied, and rich the landscape of feminist art is today, and I think LADYLIKE accomplishes that.”
Coupling Henry Darger’s drawings with a mix of works by eleven contemporary art up-and-comers, the American Folk Art Museum in New York presents a fascinating exhibition about mythmaking, war and the presumptive innocence of childhood.
Jennifer Swann interviews The Dirty Diamonds
Andrew Lochhead, one half of AndrewandAndrea, talks to Francesca Wilmott.
The grand uncle of conceptual art and institutional critique, Hans Haacke, visited Chicago in April and presented the Dog and Pony Show at the University of Chicago.
Bryce Dwyer interviews Rirkrit Tiravanija
SAIC art history faculty member Jim Elkins breaks it down for you.
Fred Holland American Blend, by Emile Ferris
Arts & Culture · Commentary · Interviews
So there was George, and I was all kinds of excited having nailed my George costume. The director of the interview looked over at me and said, “Come on,” so I walked over towards the interview station.
Mourning, that typically private emotional act, will go public in Pujol’s performance Memorial Gestures: Mourning and Yearning in the Rotunda at the Chicago Cultural Center at 10 a.m. on October 9th.
“The work we show attempts to negotiate a dialogue between artists and audience, about social issues, in ways that other traditional (and even non-traditional) galleries do not.”
What, exactly, makes something a self-portrait, and why are we so drawn to them?