Each year the National Museum of Mexican Art mounts a thematic exhibit to coincide with Dia de los Muertos (Day of the Dead). This year’s exhibit commemorates the 40th anniversary of the Tlatelolco Massacre.
F Newsmagazine sat down with Terri Kapsalis to find out just what the SAIC class “The Wandering Uterus,” is about.
Every once in a while we are confronted with a work of art that is arrestingly beautiful but are unable to comprehend how it creates its appeal.
Does SAIC alienate illustrators?
An Interview with Abigail Satinsky of InCUBATE on Democracy in America: the National Campaign.
If Jeff Koons’ success is symptomatic of slack-jawed consumers eager to gobble up shiny, uncomplicated objects, Roberto Sifuentes is the anti-Koons.
“THE FUTURE IS STUPID,” Jenny Holzer proclaimed in 1985, and although this wasn’t one of her Truisms, she certainly wasn’t wrong.
“The Leaf and the Page,” curated by Douglas Stapleton at the Illinois State Museum, strikes me as an exhibition done right.
Are you stumped for an idea for your Halloween costume, but relish the chance to partake in a bit of public spectacle?
Campus security recently issued a statement banning smokers from the sidewalk outside the Sharp Building on Michigan Avenue. Many students have few thoughts to offer about the ban.
Here is a week’s worth of queer activities.
Arts & Culture · Commentary · School
A guide to eating respectable meals near the Art Institute.
Outlaw astrology you can trust
F Newsmagazine interviews faculty Wafaa Bilal as he prepares to leave SAIC for NYU this fall.
As demonstrated in Monique Meloche Gallery’s new show, Boys of Summer, being a man today does not necessarily mean a jock or an suit, but connotes a much more flexible array of options.
Factory Theater’s Ren Faire entertains with swordfights and gunshots.
You don’t need a car to get around Chicago, but it helps when you buy something heavier than you can carry. This is my experience with Zipcar, a car sharing service.
“My goal,” asserts curator and SAIC alumna Joanne Hinkle, “was to show how diverse, varied, and rich the landscape of feminist art is today, and I think LADYLIKE accomplishes that.”
Throughout his brief yet prolific career, Finnish-American architect Eero Saarinen (1910-1961) reimagined the college campus, the corporate office park, mobile homes, and furniture.
“What if instead demanding that ‘other’ art be admitted into the halls of modernism, we were to ask different kinds of conceptual questions about Art History’s epistemology?”