Review of ‘Destroy the Picture: Painting the Void, 1949-62’ at the MCA.

Reading the canvas as a metonym for the body can’t be helped as you make your way through this exhibition. Canvases are sliced, torched, bound, shot, decayed, corroded and maimed.

My complicit relationship was threatened from the start, beginning with the intimidating cultural and intellectual framework on which it rested

Binaries and doubles reveal their rupture and illusions disclose their mirror-magic.

A review of Dave Eggers' new novel "A Hologram for the King"

Siebren Versteeg and Gabe Farrar at the Suburban Gallery

Nadav Assor and Daniel Davidovsky perform at Hyde Park Art Center